為表現主義建築的早期作品]]
表现主义建筑是20世纪初欧洲兴起的一種建筑風格，与表现主义视觉艺术和表演艺术同时兴起，并在德国尤为盛行。
尽管表现主义建筑风格千差万别，但许多特点在表现主义建筑作品中反复出现，并在每個表現主義建築中或多或少地体现出来。例如這些建築常呈现融合多种概念，难以归为单一理念；而且更趋近哥特式建筑，同时兼具罗曼式建筑与洛可可特质；表现主义建筑常从例如洞穴、山峦、闪电、晶体与岩层等地质形态汲取靈感，因此与同时期新艺术运动偏向繁复的装饰风格不同，表现主义建築更强调矿物质感。
参考文献
Breitschmid, Markus (2017). "Alpine Architecture – Bruno Taut", in: Disegno* – Quarterly Journal for Design, No. 14, London (Spring 2017), pp. 62–70.
Rauhut, Christoph and Lehmann, Niels (2015). Fragments of Metropolis Berlin*, Hirmer Publishers 2015,
Stissi, Vladimir (2007). Amsterdam, het mekka van de volkshuisvesting, 1909-1942 (Amsterdam, the Mecca of Social Housing, 1909-1942)*, Dutch language, more than 500 ill., NAi Rotterdam.
Frampton, Kenneth (2004). Modern architecture - a critical history*, Third edition, World of Art,
*
*
Jencks, Charles (1986). Modern Movements in Architecture*, Second edition, Penguin,
Whyte, Iain Boyd ed. (1985). Crystal Chain Letters: Architectural Fantasies by Bruno Taut and His Circle*, The MIT Press,
Bletter, Rosemarie Haag (Summer 1983). "Expressionism and the New Objectivity", in: Art Journal*, 43:2 (Summer 1983), pp. 108–120.
Bletter, Rosemarie Haag (March 1981). "The Interpretation of the Glass Dream: Expressionist Architecture and the History of the Crystal Metaphor, in: JSAH* (Journal of the Society of Architectural Historians), vol. 40, no. 1 (March 1981): 20–43.
Pehnt, Wolfgang (1973). Expressionist Architecture*, Thames and Hudson,
Banham, Reyner (1972). Theory and Design in the First Machine Age*, Third edition, Praeger Publishers Inc.,
Sharp, Dennis (1966). Modern Architecture and Expressionism*, George Braziller New York,
评论 (0)