《阿诺菲尼的婚礼》(Arnolfini Portrait),又名《阿尔诺非尼夫妇》又名《阿诺菲尼的肖像》,由荷兰画家扬·范·艾克画于1434年。该画收藏于英國國家美術館。
描述
畫家於鏡上方位置簽名:"Jan van Eyck was here."
畫中人都脫了鞋,代表聖潔,暗示正進行神聖儀式,即結婚。畫中女人頭戴白頭紗,亦暗示正在結婚。只有一枝蠟燭,就代表了上帝。橙代表了財富,亦是代表神聖的。小狗則代表忠誠,借此為婚姻祝福。
延伸阅读
- Bedaux, Jan Baptist, "The reality of symbols: the question of disguised symbolism in Jan van Eyck's Arnolfini portrait", Simiolus: Netherlands Quarterly for the History of Art, volume 16, issue 1, pages 5–28, 1986, [https://www.jstor.org/pss/3780611 JSTOR]
- Campbell, Lorne, The Fifteenth Century Netherlandish Paintings, London: National Gallery, 1998,
- Carroll, Margaret D., "In the name of God and profit: Jan van Eyck's Arnolfini portrait", Representations, volume 44, pages 96–132, Autumn 1993, [https://www.jstor.org/stable/2928641 JSTOR]
- Carroll, Margaret D., Painting and Politics in Northern Europe: Van Eyck, Bruegel, Rubens, and their Contemporaries, University Park, PA: Pennsylvania State University Press, 2008,
- Colenbrander, Herman Th., "'In promises anyone can be rich!' Jan van Eyck's Arnolfini double portrait: a 'Morgengave'", Zeitschrift für Kunstgeschichte, volume 68, issue 3, pages 413–424, 2005, [https://www.jstor.org/stable/20474305 JSTOR]
- Crowe, Joseph A. and Cavalcaselle, Giovanni B., [https://books.google.com/books?id=KjyfulXftoAC The Early Flemish Painters: Notices of their Lives and Works], London: John Murray, 1857
- Hall, Edwin, [https://books.google.com/books?id=IJOwCF2xkc4C The Arnolfini Betrothal: Medieval Marriage and the Enigma of Van Eyck's Double Portrait], Berkeley: University of California Press, 1994, . The text is also available from the [http://ark.cdlib.org/ark:/13030/ft1d5nb0d9/ California Digital Library] .
- Harbison, Craig, "Sexuality and social standing in Jan van Eyck's Arnolfini double portrait", Renaissance Quarterly, volume 43, issue 2, pages 249–291, Summer 1990, [https://www.jstor.org/pss/2862365 JSTOR]
- Harbison, Craig, Jan van Eyck, The Play of Realism, Reaktion Books, London, 1991,
- Koster, Margaret L., "[http://www.thefreelibrary.com/The+Arnolfini+double+portrait%3A+a+simple+solution.-a0109131988 The Arnolfini double portrait: a simple solution] ", Apollo, volume 158, issue 499, pages 3–14, September 2003
- Levin, Janna, How the Universe Got Its Spots: Diary of a Finite Time in a Finite Space, Random House 2002
- Panofsky, Erwin, "Jan van Eyck's Arnolfini Portrait", The Burlington Magazine for Connoisseurs, volume 64, issue 372, pages 117–119 + 122–127, March 1934, [https://www.jstor.org/stable/865802 JSTOR]
- Panofsky, Erwin, Early Netherlandish Painting, its Origins and Character (Volume 1), Cambridge: Harvard University Press, 1953
- Panofsky, Erwin, "Jan van Eyck's Arnolfini portrait", in Creighton, Gilbert, Renaissance Art, New York: Harper and Row, pages 1–20, 1970
- Postel, Jean-Philippe, L'Affaire Arnolfini, Arles: Actes Sud, 2016
- Weale, W.H. James, [https://books.google.com/books?id=1fEUAAAAQAAJ Notes sur Jean van Eyck], London: Barthès and Lowell, 1861 (In French)
外部链接
- [http://www.nationalgallery.org.uk/cgi-bin/WebObjects.dll/CollectionPublisher.woa/wa/work?workNumber=NG186 The Arnolfini Portrait on the National Gallery website]
- [http://www.ibiblio.org/wm/paint/auth/eyck/arnolfini/arnolfini.jpg Larger picture: The Arnolfini Portrait]
- [http://employees.oneonta.edu/farberas/arth/Images/110images/sl3images/vaneyck_arnol_mirror.jpg Picture: Detail of the mirror]
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