在音乐中,律动、旋或旋味()起源於非裔美國人音樂的術語,是指在推进式節奏中或“摇摆”感中,随着节奏型的变化而产生的一种效果(“感觉”或“动感”)。在爵士乐中,律动可以理解为一种持续重复的节奏单元,由乐队节奏部分(例如鼓、电子贝斯或低音提琴、吉他和键盘)演奏的音乐互动而产生。律动是流行音乐的一个重要特征,在萨尔萨舞(莎莎舞)、摇滚音乐、灵魂乐、放克和融合音乐等许多音乐类型中都能找到它的身影。
在流行乐或日本流行音乐等音乐中,Groove经常被翻译为“律动”一词,用来形容乐曲带有的节奏感和“带劲”感。
参考文献
延伸阅读
- Busse, W. G. (2002): Toward Objective Measurement and Evaluation of Jazz Piano Performance Via MIDI-Based Groove Quantize Templates. Music Perception 19, 443–461.
- Clark, Mike, and Paul Jackson (1992) Rhythm Combination, realisation Setsuro Tsukada. Video recording, 1 cassette (VHS). Video Workshop Series. [N.p.]: Atoss.
- Klingmann, Heinrich (2010): [https://kw.uni-paderborn.de/fileadmin/fakultaet/Institute/musik/documents/AG_Klingmann/research/Klingmann_Improvising_With_a_Groove.pdf Improvising with a Groove – Pedagogic Steps Towards an Elusive Task] , Lecture at the 2nd IASJ Jazz Education Conference, Corfu 2010
- Pressing, Jeff (2002): "Black Atlantic Rhythm. Its Computational and Transcultural Foundations." Music Perception 19, 285–310.
- Prögler, J. A. (1995): "Searching for Swing. Participatory Discrepancies in the Jazz Rhythm Section." Ethnomusicology 39, 21- 54.
- PopScriptum (2010): [https://web.archive.org/web/20130121235626/http://www2.hu-berlin.de/fpm/popscrip/themen/pst11/index.htm The Groove Issue]
*list of literature on groove [http://satoshikawase.wix.com/satoshikawase#!groove/c1mrh]
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