畢克斯·拜德貝克(,),又譯畢德貝克、貝德貝克,全名里昂·俾斯麥·拜德貝克(Leon Bismark Beiderbecke),美國爵士短號手、爵士鋼琴家和作曲家。
他和路易斯·阿姆斯壯是1920年代樂壇上,數一數二、最具影響力的爵士獨奏家。他的作品中,尤以〈Singin' the Blues〉(1927年)和〈I'm Coming, Virginia〉(1927年)最為眾所讚嘆,淋漓盡致地展現了他異常純粹的音色和即興天分。也由於這二首樂曲,他協助創立了爵士謠曲風格,進而促成1950年代冷爵士樂的興起。他為數極少的鋼琴樂曲作品中,唯一留下錄音記錄的〈In a Mist〉(1927年)則開創性的融合古典元素與爵士切分音風格。拜德貝克啟發了眾多爵士後輩,如平·克勞斯貝,也經由間接影響了萊斯特·楊。
拜德貝克最具影響力的錄音作品出自他與戈爾德凱特(Goldkette)和懷特曼(Whiteman)合作時期,儘管他也曾以自己的名字以及特朗鮑爾的名義錄製唱片。在懷特曼時期,由於酗酒加劇,他的健康狀況急劇惡化。在懷特曼和貝德貝克家人的支持下,他前往戒酒中心接受治療,但未能阻止大葉性肺炎的病情惡化。 1929年,他離開了懷特曼樂隊,並於1931年夏天在紐約的公寓中去世,年僅28歲。
他的去世反過來又催生了爵士樂史上最古老的傳奇之一。在雜誌文章、音樂家回憶錄、小說和好萊塢電影中,貝德貝克被塑造成一位浪漫主義英雄,即《吹號青年》(這部小說後來被改編成電影,由柯克·道格拉斯、勞倫·白考爾、多麗絲·黛和他的朋友霍奇·卡邁克爾主演)。他的一生經常被描繪成一位為了商業利益而不得不妥協藝術的爵士音樂家。關於貝德貝克的全名、死因以及他對爵士樂的貢獻的重要性,學術界至今仍有爭議。
註釋
參考文獻
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外部連結
- [https://web.archive.org/web/20110614020819/http://ms.cc.sunysb.edu/~alhaim/ 畢克斯·拜德貝克資源:畢克斯傳記]
- [https://web.archive.org/web/20130728074640/http://ms.cc.sunysb.edu/~alhaim/audiotapes.htm#radio%20program 畢克斯·拜德貝克資源:一個富創作力的聽覺歷史論題] – 1971年長一個半小時的電台節目的19個系列錄音。包括法蘭克·楚鮑爾、路易斯·阿姆斯壯、金·克魯帕、艾迪·康登、平·克勞斯貝、赫奇·卡爾麥基及拜德貝克的長兄查爾斯·拜德貝克(暱稱伯尼)等的訪談
- [http://www.archive.org/audio/audio-details-db.php?collection=opensource_audio&collectionid=Davenport 〈達文波特藍調〉](Davenport Blues) – 拜德貝克首度以個人名義錄音的mp3檔
- [http://www.jazz.com/features-and-interviews/2008/3/9/bixology-an-excerpt 「畢克斯傳記」(摘記)] ,布倫丹·沃爾夫(Brendan Wolfe),[http://www.jazz.com Jazz.com]
- [http://www.jazz.com/dozens/the-dozens-essential-bix-beiderbecke 《十二段不可錯過的畢克斯·拜德貝克演出紀錄》] ,布倫丹·沃爾夫,[http://www.jazz.com Jazz.com]
- [https://web.archive.org/web/20111006135704/http://beiderbecke.typepad.com/tba/bix_beiderbecke/ The Beiderbecke Affair]:布倫丹·沃爾夫所經營、關於拜德貝克的部落格
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