阿斯馬特人（Asmat）是新畿內亞人數約70,000的族群，居住在印度尼西亞巴布亞省西南岸毗鄰阿拉弗拉海面積約19,000平方公里的島嶼上，以木刻傳統聞名於世。
雖然過去數十年間現代社會對阿斯馬特族的影響增加，但他們仍與現代社會疏離，大部分重要的文化傳統得以延續。
參考文献
外部連結
*[https://web.archive.org/web/20110721125918/http://holmes.anthropology.museum/asmat/bibliography.html Online Bibliography of Asmat Resources]
*[http://www.metmuseum.org/toah/hd/asma/hd_asma.htm Asmat Art in the Michael C. Rockefeller Collection at the Metropolitan Museum of Art]
*[https://web.archive.org/web/20191105184909/http://www.asmat-art.com/ Asmat Art Gallery]
*[https://web.archive.org/web/20051231092956/http://www.asmat.org/ American Museum of Asmat Art]
*[https://web.archive.org/web/20061212103323/http://www.indopacific.org/asmat.asp Asmat Program, Indo-Pacific Conservation Alliance]
*[http://news.nationalgeographic.com/news/2004/02/0206_040206_tvasmatgps.html Tribe Goes High-Tech to Fight for Rain Forest Home, National Geographic Online article]
*[http://news.nationalgeographic.com/news/2003/11/1119_031119_tvasmat.html Islanders in Indonesia Fear Plunder of "Magic" Trees, National Geographic Online article]
*[http://www.metmuseum.org/Works_of_Art/department.asp?dep=5 Works of Africa, Oceania, and the Americas, Metropolitan Museum of Art]
*[http://query.nytimes.com/gst/fullpage.html?res=9B0CE3D91239E43BBC4851DFB0668389679EDE New York Times Review of "Sky Above, Mud Below"]
*[http://www.papuaweb.org/dlib/s123/eyde/_phd.html The Cultural Correlates of Warfare Among the Asmat of South-West New Guinea, PhD Dissertation, 1967]
*[https://web.archive.org/web/20161021160706/http://holmes.anthropology.museum/asmat/index.html Asmat Art at the Holmes Museum of Anthropology]
*[http://www.youtube.com/user/HolmesMuseumAnthro Films about the Asmat produced by the Holmes Museum of Anthropology]
*[http://www.disappearing-world.com/?page_id=572&lang=en Oleg Aliev's expeditions: the Asmat; photos, documentary films]
延伸閱讀
*Eyde, David Bruener. (1967). Cultural Correlates of Warfare Among the Asmat of South-West New Guinea, Ph.D. Dissertation, Department of Anthropology, Yale University.
Gerbrands, Adrian A. (1967) Wow-Ipits: Eight Asmat woodcarvers of New Guinea*. The Hague and Paris: Mouton and Company.
Knauft, Bruce M. (1993). South Coast New Guinea Cultures: History, Comparison, Dialectic*. Cambridge: Cambridge University Press.
Konrad, Gunter, Ursula Konrad, and Tobias Schneebaum. (1981). Asmat: Life with the Ancestors*. Glashutten, West Germany: Freidhelm Bruckner Publishers.
Konrad, Gunter and Ursula, eds. (1996). ASMAT, Myth and Ritual, The Inspiration of Art*. Venice, Italy: Errizo Editrice.
Petocz, Ronald G. (1989). Conservation and Development in Irian Jaya*. Leiden: E.J. Brill.
Rockefeller, Michael Clark and Adrian A. Gerbrands. (1967). The Asmat of New Guinea: The Journal of Michael Clark Rockefeller*. New York: Museum of Primitive Art.
Saulnier, Tony. (1963). Headhunters of Papua*. New York: Crown Publishers.
Schneebaum, Tobias. (1985). Asmat Images: From the Collection of the Asmat Museum of Culture and Progress*. Agats, Irian Jaya: Asmat Museum of Culture and Progress.
*
- Smidt, Dirk A.M., ed. (1993). Asmat Art: Woodcarvings of Southwest New Guinea. With contributions by Adrian A. Gerbrands, et al. Singapore: Periplus Editions, in association with the Rijksmuseum voor Volkenkunde, Leiden.
- Trenkenschuh, Frank A., ed. (1970-1981) Asmat Sketchbook: Volume 1-8 Agats: Asmat Museum of Culture and Progress.
- Van der Zee, Pauline, (1996) Etsjopok: avenging the ancestors. The Asmat bisj poles and a proposal for a morphological method. Working Papers in Ethnic Art 8 (University of Ghent, Department of Ethnic Art). Ghent.
- Van der Zee, Pauline. (2007). Bisj-poles: Sculptures from the Rain Forest. Amsterdam: KIT Publishers.
Zegwaard, Gerard. "Headhunting Practices of Netherlands New Guinea", in American Anthropologist*, no. 61 (December 1959): 1020-41.
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